Glenn Danzig is a name that permeates, infects, and ultimately makes strong, the very soul of hard rock in the '90s. Through the legendary punk charge of his pre-Danzig outfits Misfits and Samhain, Danzig formed the backbone of today's mosh movement. Into the deep waves of the Danzig catalogue, and you've got a band that has created high-tension hybrids that are still being pondered and quietly adopted throughout today's metal community. Over eight million records sold, and Danzig is about to unleash a multi-media onslaught that will once again find disciples studying the master. But first a little history.Danzig's early works took full advantage of what was initially a vital and productive working relationship ith Rick Rubin, resulting in a self-titled 1988 debut and a follow-up in '90 called Lucifuge that together enveloped the man's interest in punk, doom, gothic new wave and an intense California twist on black Satanic metal, culminating in a display of shockingly dark hard rock that sent chills the likes of which today's Norwegian churchburners could never know. Danzig III: How The Gods Kill dropped in'92, rewriting the books on Sabbatherian doom metal; super charging the genre with molten guitar god riffs, foreboding but poetic lyrics,and above the fray, THAT VOICE. Glenn is a sonorious tenor blessed with the ability to caress and terrorize all within a few short breaths.As the luck of the draw would have it, Danzig next found himself with an odd, unplanned Hit on his hands; a live version of the debut album's 'Mother' introducing the mainstream to this buffed-up, 'black leather powerhouse'. 1993's Thralldemonsweatlive EP went on to platinum status (following a similarly exalted fate for the debut),and Danzig's commercial legacy was ensured. Never one to be complacent,Glenn rewired the band's sound into a frosty but intimate affair paradoxically rife with studio wizardry.Danzig 4P hit in '94,Glenn once more confounding the world with a record that would be a critically acclaimed masterpiece, casual but crafted, sinewy and insidious. As relations with Danzig's label Def American broke down, so did Danzig's relationship with his band.Glenn found himself seeking fresh personnel and a fresh perspective, creating the darkwave industrial rhythms of Danzig 5: Blackacidevil, a record which, once again, was to re-engineer the cutting edge of hard rock in Danzig's imposing,muscle-strapped image. But harsh circumstances have brewed, distilled, and unleashed a blistering counter punch by the name of Danzig 6:66 Satans Child, a record that is a visceral and aggressive statement of black intent, unafraid to clutch and grab from today's technologies, but more in tune with the frightening power of a well-juiced guitar. Danzig 6 features essentially the same line-up as its predecessor, but there are a number of fresh pioneers associated with the project.