Say Anything + Bayside

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Ticket includes admission to Emo Night Brooklyn: The Official Bayside Tour Afterparty - INFO

OPENING ACT(s): Reggie and the Full Effect

Sun 5/14

Doors 6:00 / Show 7:00
Electric Factory
— $25 ADV - $29 DOS | All Ages
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SAY ANYTHING Say Anything has been making odd, unclassifiable indie rock music since they were 14 or 15 years old, playing strangely literate and loud rock, characterized by what one might imagine if Larry David fronted a Fugazi cover band with the members of Queen. Not that that's a stretch or anything. Having been birthed from the indie/punk boom of the early twenty-first century, Say Anything rose to prominence with their (oddly) popular record …Is a Real Boy and somehow broke the "pretty boy punk" mold by establishing a career that thrived somewhere between music your pretentious college student of an older brother would like and the loud crap that your little brother uses to annoy him with. Say Anything followed that record up with the equally eclectic and lengthy, In Defense of the Genre and their exceedingly bratty (hopefully in a good way) self-titled LP. All together, those records sold almost half a million copies and were illegally downloaded by even more people, who were too broke to pay for them but still really dug the band. Those listeners did however, care enough to go see Say Anything play, which allowed for them to contribute to a reliably chaotic, cathartic live experience. Say Anything has toured heavily with other weird bands such as Thrice, Manchester Orchestra, mewithoutYou, Saves the Day, Biffy Clyro and Eisley, among many others, and has established themselves as one of the few bands nowadays who end up as sweaty, busted up and bruised after a show as the people who are actually watching them. After ending a long relationship with the large corporation who put out their records for many years, Say Anything has signed with the amazing and independent label, Equal Vision Records - who actually want the band to play whatever they want to play and have it be as neurotic and strange as they want it to be. Say Anything will record their fourth studio album in August 2011 with Tim O'Heir (the eccentric and brilliant gentleman who produced their first record) and has committed to playing music in this band until they finally, once again, are forced to wear diapers. BAYSIDE Bayside formed in the winter of 2000 and quickly developed a following with their melodic, moody, guitar-driven emo. They soon left their native Queens, New York and hit the road, sharing stages across the United States with bands like the Alkaline Trio, Taking Back Sunday, and Further Seems Forever. The band's first release, the Long Stories Short EP, was released by the local Dying Wish Records in August 2001. Touring continued throughout the following year, including festival slots at the Skate and Surf Fest in Asbury, Furnace Fest in Birmingham, and a two-week stint with the Warped Tour. As with many young bands, various lineup changes occurred throughout these early years, and spring 2003 found original members Anthony Raneri (vocals/guitar) and Andrew Elderbaum (bass) cementing a revised incarnation of the band with newcomers Jim Mitchell (drums) and Jack O'Shea (guitar). That same summer, they released a split EP with Name Taken before signing with Chicago powerhouse Victory Records. Sirens and Condolences, a brooding debut album produced by J. Robbins (Jawbox), was issued in January 2004. Along with a relentless show schedule, the guys utilized community-oriented websites like Friendster and MySpace to promote their music and build up a loyal underground following. Also during this time, bassist Nick Ghanbarian (ex-the Movielife, Silent Majority) and N.Y.C. veteran drummer John "Beatz" Holohan joined Bayside's ranks, replacing Elderbaum and Mitchell.


  • Reggie and the Full Effect

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    Reggie and the Full Effect combine infectious melodies, sappy love songs, good-natured yet offbeat slyness, and comic sensibility like virtually no other "band" before them. Reggie albums are full of skits, hooky pop songs, and chunky guitar playing that appeal to fans of punk rock, emo, and hardcore alike. There are two sides to the Reggie and the Full Effect story. One is fictitious and humorous -- the tale of a bluesman named Reggie who vanished at the height of his career, and whose lost "White Chocolate Studios" recordings were recently unearthed and dropped at the doorstep of a couple of independent record labels. The other is the real story. Reggie is actually the Get Up Kids' keyboard player and former Coalesce drummer James Dewees, making records on which he plays all of the instruments. The project began during some downtime for Coalesce. Dewees recorded a batch of songs starting with the drums first, building them all the way up on his own. Occasionally, members of the Get Up Kids would drop by the Kansas City studio to participate, but for the most part, the songs contained on Reggie's albums are solely of Dewees' creation. Second Nature Recordings released the first album, playfully titled Greatest Hits 1984-1987, in 1998. After that, Dewees performed a handful of live shows with the Get Up Kids as his backing band. Shortly before Coalescedisbanded, Dewees joined up with the Get Up Kids full-time, not long before they signed with Vagrant for both themselves and Reggie and the Full Effect, inking a deal that also included the creation of their own Heroes and Villains imprint.

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